No doubt in a basement office in
Cleveland or the back booth of a coffee shop in Pittsburgh or on an iPad in the
middle of study hall in an Indianapolis high school, there’s an aspiring
screenwriter punching keys and imagining great adventures that she hopes will
someday grace the silver screen.
Not in Los Angeles ,
not in New York , but right here in the Midwest . Is she just chasing a dream? Not according to
screenwriter Pen Densham, whose film credits include Robin Hood: Prince of Thieves, Backdraft, and Rocky II.
“The truth is, any movie is about great ideas that
stimulate human emotions, and if you can write films that mesh in scale with
the new grass-roots producers that are evolving all over the country, there is
a chance that someone in your city may be just as likely to produce your script
as someone in Hollywood,” says Densham. “There is a new, technological
gold-rush, as digital technology disrupts the entire old distribution system,
and no one is quite certain where the new markets are. But many people
are willing to experiment to discover them.”
Densham
recently published the book Riding the Alligator, his definitive guide to screenwriting that advises writers to
filter their final product through their passion. We had a chance to chat with
Densham via email to get his take on screenwriting outside of Hollywood
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